I love the way he will always, guaranteed, pause and glance behind himself with his hand on his head in the middle of almost any sentence.
I thought he was very good in Mutiny on the Bounty. He was good in the 2015 The Dresser too, though I much prefer the 1983 version in which he is, um, not in.
Ooh, and he was very good indeed in 84 Charing Cross Road of course.
Last edited by: Crankcase on Tue 3 Nov 20 at 18:12
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